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Les Writing blog, with tips, advice, and my own writing... And Nanowrimo obsession.

Why All Writers Must Be Readers

August 13th 2007 03:54
I am an avid reader. Fantasy, sci-fi, even a good mystery or suspense will make me happy.

There are a few damn good reasons to read, read widely, and read often. (Read something, even just a blog post, every day; write something, even just a blog post, every day)

The first one is because if you don't know what works-what makes a character appealing, a world realistic, a plot interesting or a culture fascinating-in other people's fiction (or even non fiction, but that's not what I'm talking about here), how the hell are you supposed to know what works in your own? How can you select a genre if you don't read it? How can you understand if your work's quality is up to par with that of some published writers, if you never read published writers?


Then there are the books on writing. You need to study and learn your craft. Period. There's no way around it. Your book will suck if you haven't read anything about characterization, plot, climax, resolution, all the things that make a story great.

You need to read to know which publishers publish books like yours, to read to know what level of quality a successful writer should have. You need to read because you need to be able to understand the functioning of a story, what is entertaining, what is interesting.

Reading should be just as much a part of you as writing is. By reading, and by buying books, you support other authors. You help keep them their livelihoods. You support the industry by buying books, because it needs customers in order to be successful. The more success they have, the more money they have to promote, market, distribute. All of that will, at some point, be important to you.

So, if you don't read, your writing is probably just as bad as 90% of fanfic. Someone once said that 90% of anything is crap-don't let your writing be part of that 90%.


Some recommended books:
On Writing, by Stephen King-it's funny, to the point, and not grammary at all (and it's sitting next to my desk)
A Series of Unfortunate Events-the best written best seller on the market
Money for Content and Your Clicks for Free (internet business of creativity) by JD 'Illiad' Frazer
The Vampire Chronicles- (Interview With A Vampire, the Vampire Lestat, and Queen of the Damned) by Anne Rice, beautifully written.
A Spell For Chameleon-Piers Anthony's Xanth-first book.
On A Pale Horse-part one of Incarnations, another Piers Anthony series
The Writer's Workshop-it's a pretty cool textbook they used to use in high school for creative writing, apparently. Whatever. By John F. Parker, published by Addison Wesley. (add an A and get Weasley)
Tantalize by Cynthia Leitich Smith, a really cool YA paranormal romance.

That's it for now. I don't mention a lot of writing specific books because 90% of them are really boring crap.

Have fun reading!
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A Closer Look: Theme

August 13th 2007 01:03
In light of Harry Potter's now-ages-ago release, people have been constantly talking about its theme, which is very clearly the Wizard version of the Holocaust.

You know, Death Eaters/Nazis, Mudbloods/Jews/Undesireables (I have a vague suspicion they were actually called something like the last one in one of the books), Voldemort/Hitler, you know, that whole thing. (Then there's Dumbledore, the reformed Nazi, and Grindelwald, the now-not-as-crazy-evil Nazi)

All this talk about Harry Potter has a purpose to it. Let's examine the themes and metaphors for other popular books, shall we? Namely, let's take a look at the Twilight series.

Twilight has another tolerance theme-vampire/human love. It's a metaphor for any cross-species loving, which is particularly popular at the moment. (They'd probably love Moonshadow's Guardian, but it's about 50 times more out there.) Across race, there will always be difficulties-but in this case, there's the added sense of danger to it, to bring that extra thrill.

See where I'm going with this?

Tantalize, by Cynthia Leitich Smith (google her, her website has tons of good advice), is another cross-species love, human/werewolf.

Examining other people's writing to see what works and what doesn't is always a good idea. (For example, in Harry Potter, the thing that doesn't work as well-and has caused massive uproar-is the epilogue, which seems very tacked-on.) Especially best sellers. Take a look at their theme, their characters, plot, style.

Today I'm posting about theme. Theme is the premise, the main driving force, behind your book/short story/any work of fiction. Most themes come and go and come back, fads that roll in every ten years or so. Anne Rice revolutionized vampires and made them the 'in thing'. JK Rowlings brought tolerance to the forefront of fiction.

All good fiction has a decisive theme. Don't write a theme that will sell, however, solely because it will sell. Write a theme that you care about, that's had a strong influence in your life. Have fun with it. You're not trying to write a best seller here, you're trying to write your book.

Sometimes, you write something and a theme just shows up. Reading through Mena&Matias, my craptastic-now-fully-deleted romance, and Moonshadow's Guardian, shows my theme very clearly to me. It's a repeated theme, too.

What's my theme? Tolerance, anti-racism, and saving/recreating/studying ancient cultures. This is what matters to me.

You don't have to choose your theme before you write your first book-but you should be able to see it by the end, and to weave it into the whole book. A writer takes threads of theme and plot and character as well as others and weaves them into a work of art, a book.

Now take a look at some of your own writing. What's your theme? And don't forget to do some work on your projects-in-progress.
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No matter what you might think, the differences between short story and novel writing are actually very few. The biggest difference is length.

Often times, a writer will use an outline for a longer work, but not for a shorter work. The writer will generally have an idea or concept for a shorter work versus a well laid out plan for a longer work.

You may have to do research no matter which genre you're taking on. You may also wish to do some prewriting. But for an organic writer like me, myself, and I, you probably want to keep it to a minimum level. Let the story flow. That sort of thing.

Once the prewriting is done, you have to sit down and actually write the work. Depending on venue and genre, the short story length varies. Most of the time you want to keep your short stories under or around three thousand words for marketability. When you're writing, keep your prose focused and your ultra descriptive writing to a minimum.

When you're writing a short story, there's no such thing as padding. Often, a short story doesn't quite allow for the complexity a novel might have due to its length. Short stories can be just as powerful and just as fun to read, however.

The beginning has to have that perfect line. You're not keeping the reader around for ages, but a novel has a little more time to draw a reader in-say, a paragraph, maybe even a page. A short story has a sentence. Your sentence should draw a reader in. It should lead right into the action with a short story. No time for setting the scene.

The middle has to keep a reader in. Varying sentence structure, decent emotion and action, and some depth to the characters needs to be established in a few short pages. Your mission with the middle is to entertain.

The ending's job is to pack a punch, leaving the writer satisfied. The best short stories will leave me unable to move for a minute. Their endings leave an imprint in the person's mind, make the person think. And then, when the reader sees your name in the future, they remember. Or when they hear about your story.

A short story should be something memorable. Something that impacts a reader in so little time. It's an impressive feat. It's not easy. But when it's well done, I'd pay fifty bucks for it easy.
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Schedule

August 8th 2007 06:53
This is very loose, and it's Canadian time. Here ya go:

Daily-Editing Pains basic update


[ Click here to read more ]
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Section Three: Shorter Works

August 7th 2007 00:55
I'll be introducing the last two today to make up for my away-ness. The first is shorter works, which will be posts related to short fiction, poetry, and short non-fiction.

The posts here will be slightly less regular. Updates will include news on my poetry collections, the occasional poem, articles about poetry/short stories/short non fiction, and various other things


[ Click here to read more ]
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